{"product_id":"archives-du-reve","title":"A woman is an Indian","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003eHere\u003c\/span\u003e , when a woman takes up arms, it is not to destroy but to create. In \u003cb\u003eMurièle Camac\u003c\/b\u003e , the weapons are clothes, colors, smells, lists of names of birds, songs of life and death, dances with changing names — “the dance of the child, of the animal , of the tree or of the grass”.\u003cspan id=\"dg-rm-dots\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv id=\"dg-rm-more\"\u003e\n\n\u003cp class=\"p1\"\u003e \u003cspan class=\"s1\"\u003eIn \u003cb\u003eA Woman is an Indian\u003c\/b\u003e , she invites us on “a journey, a quest, an America”. Borrowing the codes of the Western to place us on the side of the Indian - a woman - who goes to war against clichés, it is nevertheless by reminding us of a few stereotypes that she enjoys diverting their meaning, proposing them. new interpretations.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cblockquote\u003e\n\n\u003cp class=\"p1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e \u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s2\"\u003eExcerpt\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"s3\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan class=\"s3\"\u003eI will paint my nose, my forehead and my cheeks with war paint\u003c\/span\u003e .\u003cbr\u003e \u003cspan class=\"s3\"\u003eI will leave with the first wave that will lick my\u003c\/span\u003e stomach.\u003cbr\u003e \u003cspan class=\"s3\"\u003eI will leave towards the West which does not wait for me, towards\u003c\/span\u003e the ocean, the New World,\u003cbr\u003e where another night falls.\u003cbr\u003e I will look for the rough wind, I will find the forests, the rivers to cross.\u003cbr\u003e I will escape provincial high schools.\u003c\/p\u003e\n\n\n\u003c\/blockquote\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eGenre\u003c\/strong\u003e : poetry\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCollection\u003c\/strong\u003e : Shards \/ No. 3\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eCover artwork\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e © Karine Rougier – \u003cem\u003eThe three Graces\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003e(oil on wood, 2017) – Photography: JC Lett\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eBook format:\u003c\/strong\u003e 13.5 cm x 19.5 cm – 108 pages\u003c\/p\u003e\n\n\u003cp\u003e ______________________________________________________________________________________________\u003c\/p\u003e\n\n \u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eWe are talking about it\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On the Office of Poetic Transports:\u003cbr\u003e\u003c\/strong\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-de-muriele-camac-par-gregoire-damon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-de-muriele-camac-par-gregoire-damon\"\u003eA woman is an Indian, by Murièle Camac, by Grégoire Damon\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– At the Montreal Poetry Festival:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/preselection-du-prix-francophone-international-de-poesie-montreal\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/preselection-du-prix-francophone-international-de-poesie-montreal\"\u003eA WOMAN IS AN INDIAN, by Murièle Camac, in the list of the Francophone Poetry Prize\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Reverse:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-dans-la-revue-verso-par-alain-wexler\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-dans-la-revue-verso-par-alain-wexler\"\u003eA woman is an Indian in the magazine “Verso” by Alain Wexler\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Discharge:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-decharge-par-claude-vercey\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-decharge-par-claude-vercey\"\u003eA woman is an Indian on “Discharge” by Claude Vercey\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Traction-Brabant\u003cspan\u003e \u003c\/span\u003e:\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-traction-brabant-par-patrice-maltaverne\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-traction-brabant-par-patrice-maltaverne\"\u003eA woman is an Indian on “Traction-Brabant” by Patrice Maltavern\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Sitaudis\u003cspan\u003e \u003c\/span\u003e:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-sitaudis-par-francois-huglo\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-sitaudis-par-francois-huglo\"\u003eA woman is an Indian on “Sitaudis” by François Huglo\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Europe:\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-de-muriele-camac-par-thierry-romagne\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-de-muriele-camac-par-thierry-romagne\"\u003eA woman is an Indian, by Murièle Camac, by Thierry Romagné\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Poetry \/ Premiere:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-poesie-premiere-par-martine-morillon-carreau\"\u003eA woman is an Indian on “Poetry\/Premiere” by Martine Morillon-Carreau\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e– On Earth to Sky:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-terre-a-ciel-par-valerie-canat-de-chizy\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/exopotamie.com\/blogs\/actualites\/une-femme-cest-un-indien-sur-terre-a-ciel-par-valerie-canat-de-chizy\"\u003eA woman is an Indian on “Terre à ciel” by Valérie Canat de Chizy\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n \u003ca id=\"dg-rm-btn\" onclick=\"dgReadMore()\"\u003eRead more\u003c\/a\u003e","brand":"Julie Anselmini","offers":[{"title":"Default Title","offer_id":57170294505803,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0275\/8839\/5090\/files\/Archives-du-reve_1ere-COUV_net.jpg?v=1777621286","url":"https:\/\/exopotamie.com\/en\/products\/archives-du-reve","provider":"Éditions Exopotamie","version":"1.0","type":"link"}